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Cultural Production with Social Impact
Cultural Production with Social Impact
Cultural Production with Social Impact
Cultural Production with Social Impact
Cultural Production with Social Impact
 
 
 
 
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Claire Chase


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Claire Chase is a soloist, collaborative artist, curator, and advocate for new and experimental music. Over the past decade, she has given the world premieres of hundreds of new works for the flute in performances throughout the Americas, Europe, and Asia, and she has championed new music throughout the world by building organizations, forming alliances, pioneering commissioning initiatives and supporting educational programs that reach new audiences. She was named a MacArthur Fellow in 2012, and in 2017 was awarded the Avery Fisher Prize. She was named the Inaugural Project& Fellow in 2014.

 

In 2013 Chase launched Density 2036, a 23-year commissioning project to create an entirely new body of repertory for flute between 2014 and 2036, the centenary of Edgard Varèse’s groundbreaking 1936 flute solo, Density 21.5. Each season as part of the project, Chase premieres a new program of commissioned music, with six hours of new repertory created to date. In 2036, she will play a 24-hour marathon of all of the repertory created in the project. Chase will release world premiere recordings the first four years of the Density cycle in collaboration with the producer Matias Tarnopolsky at Meyer Sound Laboratories in Berkeley, CA.

 

A deeply committed educator, Chase was named Professor of the Practice in the Department of Music at Harvard University starting in 2017. She is also the co-artistic director, with her longtime collaborator Steven Schick, of Ensemble Evolution, a three-week intensive workshop for emerging musicians at Banff Centre for Arts & Creativity in Canada. In 2014, Chase was named an inaugural Fellow at Project&, a Chicago-based organization founded by Jane M. Saks that addresses cultural production with social impact. Chase collaborated with Project&, the composer Marcos Balter and the director Douglas Fitch on the creation of “Pan,” an opera for solo flute and an all-ages ensemble of community members, which Alex Ross of The New Yorker called “art as grassroots action.

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Photo Credit: Marc Perlish Photographer